How I approached this project

Before I start, I analyze the pattern of Mondrian's work by identifying the four crucial elements: blue, red yellow filled rectagles and rectangles with black outlines. I came to realize they all share the same pattern. Thus, I experimented with the Random block by using it in various parts of the code. Initially, I used it to set the initial position of the turtle, providing a random canvas location as the starting point. Then, I extended its use to determine the dimensions of each rectangle, both in terms of length and width. This experimentation allowed for a wide range of possible shapes and sizes, adding complexity and variety to the artwork. In the end, the whole process is simplified into five blocks: the basic block -- random box, and then the red, blue, yellow and black boxes. Throughout the creative process, I tried to make the whole art piece not as random as the current code by making it looks like grids with black lines and then randomly filled the blocks with red, blue and yellow. However due to the limitation of the TurtleArt programming, the filling part is hard to fulfilled, which I will work on it later in the future to see if there're other approaches. What didn't work as well were instances where the randomness was too extreme, resulting in chaotic or extra-large shapes. Finding the right balance between randomness and aesthetic appeal proved to be a challenge. It was fascinating to observe how subtle changes in the random values could lead to vastly different visual outcomes, keeping the artistic process exciting and unpredictable.